We were thrilled to catch up with him recently and talk all about the album and more.

Lovely to speak to you again, Dustin, thank you for giving up your time today. Congratulations on ‘Killed the Cowboy’

Thank you very much for your kind words. I’m always looking to get better and better and it’s good to hear that we hit the mark for you.

Before we get into the album, let’s dig into a couple of things, if that’s ok? You had such a big hit with ‘Thinking ‘Bout You’ in 2022. Do you ever feel the pressure to achieve that again or do you celebrate it for the unicorn that it was?

I’m very grateful when hits like that happen and you certainly can’t plan for them. There is a pressure, for sure, and a feeling that the next single has to compete with. We’re still seeing, out on tour, a real excitement for that song and so I’m still enjoying the glow and success of it and all I can hope is that we get another one at some point.

You’re having a lot of top 10 success with ‘Stars Like Confetti’ right now. It’s quite unique promoting a song from an ‘old’ album just as you release your new one!

It is. We couldn’t ask for better timing in terms of the success of that song and us going out on the ‘Killed the Cowboy’ tour. It’s a blessing. When you put out music you never know what’s going to happen: certain songs take off right away and others take a little time and you’re waiting around some before it hits. ‘Stars….’ is a big moment in our live show so it’s great to see it take off on the radio too.

It allows us to bounce straight into this next chapter of music right on the heels of ‘Stars Like Confetti.’ I’m not sure what we will follow it with, that’s the beauty of having this little window of time in terms of allowing ‘Stars…’ to let us see which songs from ‘Killed the Cowboy’ are resonating with people the most.

I spoke to both Justin Moore and Chase Rice this year and artists like those guys are your contemporaries, the guys you came up with. They have both released great albums this year and Moore, like yourself, continues to have consistent number ones rather than being someone who exploded on the scene and then faded. Do you see yourself in that same way?

That consistency has, obviously, been a goal. I’ve always wanted to build on that early success and we’ve seen our crowds grow since day 1 for sure. The rooms continue to grow and we’ve toured with the genre’s best too so I’ve been able to take what I’ve learned from those artists and put it into our tours. With the ‘Party Mode’ tour this past year I think we’ve found our sweet spot – the right mix of songs, the show and making it very interactive for the crowds too.

Country music has lurched a little bit back toward towards what it sounded like when you released your early albums in terms the grittier, more guitar-focused sound under the guidance of artists like Stapleton, Luke Combs and Lainey Wilson. Does that suit you more as an artist?

I think the genre has moved back a little towards sounding like it did when I first started, yes. As far as the fan base goes, we’re as wide open as we’ve ever been. We have a lot of fans from different places and spaces who are exploring the genre and finding other artists that they love. We’ve integrated a little Rock music into our live shows and that seems to have brought in some new people which means we’ve had the best year of touring in a long, long time.

The initial press for the ‘Killed the Cowboy’ album found you in a very reflective and honest place with regards to your personal life. What goals did you have in setting out to make this album?

I’m just trying to figure out where I am in life right now and paying attention to the conversation that I am having with myself. This ongoing battle of wanting to be a better musician and wanting to be a better person too. It left me thinking that if I didn’t have it all figured out in my personal life, what’s wrong with me, right?

It’s been an open process and what I’ve found out is that there are a lot of people out there just like me! I’m happy with my career and I’m confirmable with writing songs and who I want to be as an artist and the success we’ve had in that side of things but there remains that question mark in my mind as to why I’m still single. Is it ok to still be single after this long? There’s pressure from friends, family and even the industry that play into those doubts and questions and this new album was just me realising those things and being willing to talk about it.

My favourite songs of yours are the ones that bring drama. So, songs like ‘Helluva Night,’ ‘To the Sky’ and ‘Seein’ Red.’ The title track has that classic ‘Dustin Lynch’ drama to it – is that what drew you to it when you first heard the song?

It definitely did. I loved the title. It was from a group of writers that I trust and I love to work with. They wrote the song with me in mind as I wasn’t it town and then they sent it my way. I knew that I wanted a big, passionate moment for the show that wasn’t so much ‘horns-up rocking’ but it would hit hard and heavy in the live set and ‘Killed the Cowboy’ captured that and is a great way to encompass the songs on this project and a way to tie everything together.

I can see the visuals for the tour – there is just so much we can do with this song and concept.

‘Blue Lights’ is another big, dramatic, classic Dustin Lynch song too. I think Jameson Rodgers might have made a mistake by giving you that song!

(laughing) I’ve made him aware of that! It’s one of my favourite songs that he has ever written. He and I write a lot together but that’s another one of those songs that came in early on in the process that I knew I wanted to record. It’s quite a unique song in both the take and and the phrasing of it. Jamo is one of the best writers in town and his singing on the demo of that song gave me a framework from which to launch off from.

Talking of collaborators. Hunter Phelps has six co-writes on this album. What is it about him and his writing that you identify with so much?

He and I are, essentially, the same guy! (laughing) We’re the same dude. We like the same things, we eat the same things and we drink the same things! He’s lucked out, found a girl and had a baby but other than that, we are the same person. He’s going to be a ‘Hall of Fame’ songwriter and I want to continue to work with him for as long as I can. I’ve been lucky that I became friends with him and worked with him before it really took off.

‘Honky Tonk Heartbreaker’ puts a massive smile on my face every time I hear it. It’s a slightly different sound for you, a little bit lighter, a little 90s around the edges. Has it made it into your live set yet because it must be a fun track to play?

You nailed it! I think the same. That was a song that emerged in a unique way. It was right in the middle of deer hunting season and Hunter and I were due to write. I called him and was, like, ‘Dude, why are we writing today?’ (laughing) It was the prettiest day and I just wanted to be out in nature, you know? But that there is the reason why we do what we do and we chase the songs! The day when we could have easily taken a pass and not put in the hard yards, ‘Honky Tonk Heartbreaker’ comes out of it and it’s ended up being one of my favourite songs on the album.

There’s a lower Broadway, Nashville feel to it and the early days of my playing the honky tonks down there. Hunter got started down there too. I was playing Legends Corner and he was up at Tootsie’s so we were on different teams at that point but that song reminds us both of what it was like when we first started.

We haven’t played it yet because I’ve been waiting for the album to come out but we have been playing it in soundcheck, so we are dialled in and ready to go with it right now and I can’t wait!

The other song that really intrigues me from this project is ‘Long Way Home’, which has another, slightly different sound, for you and you use it to close down the album too.

I wanted to finish the album in a strong way and on a very positive note. It’s quite a Country-leaning song, which I love. It came out of the first batch of songs that we recorded for the project and it kinda came down to a tie-break between some songs that I couldn’t decide which to move forward with so I sent them out to a bunch of people I trust and asked them for their feedback. ‘Long Way Home’ got the majority of the votes and I think it made sense to finish the album with it.

The first time I heard ‘Chevrolet’ I was blown away by just what a clever idea it was to rework the iconic chorus of ‘Drift Away’. Tell me about the first time you heard that song.

I was taken aback, just like you! Then my second reaction was ‘And how did this get clearance with the original writers of ‘Drift Away’?’ (laughing) Did everybody involved in the original version OK this because if they did…………it’s mine! The original writers and publishers had heard it and they were really excited by it too.

There’s great songs on every album and then there are great moments and I think ‘Chevrolet’ is both for me and my career. Then the whole thing was heightened by getting a ‘yes’ from Jelly Roll on him appearing on it as well. Jelly was rocking it at the time we were recording the song but his rocket ship hadn’t quite taken off yet in the way that it has now. So, it’s absolute great timing to have him on this song with me now. We’ve spent time with each other before and we’ve partied hard together and now ‘Chevrolet’ gives us another reason to hang out!

We last saw you over here in 2019 at the C2C festival and you rocked that arena! People are still talking about your set even four years later. Is there a chance we might see you over in Europe again in this next phase of your career?

Without a doubt! We had such a great time over there and I was blown away, top to bottom, by the fan support. I didn’t get to hang out with you guys as much as I would have liked last time so I’d love to come back and get some hang time and soak up some culture. I’d like to make a big, long trip out of it and see all the things there is to see.

We planned to come back but tours have to line up way in advance and then the pandemic hit which meant we had previous obligations and shows to fulfil that were cancelled or delayed over those two years. Coming back is on our list and is an active target and bullseye that we keep trying to aim for. The stars will align one day.

You got your pilots license fairly recently. I listen to the Bobby Bones show each day and it’s so sweet how worried he is about you being up in the air. Your Instagram is also full of golf videos again too. So, are you a better pilot or golfer?

(laughing) I couldn’t believe how worried he was either! I’m a better pilot right now, for sure, although I have been practising my golf recently. I enjoy both. One of my favourite goals to achieve is to fly a small, five seater plane down to Florida with my golf bags in the back and play a round of golf and then come back in time for dinner. What a great day that would be! Maybe I could throw my fly rod in the back too?

It’s these little one day adventures that I’d love to do more of. That’s a type of freedom I haven’t had in the past but I can achieve now that I have a pilot’s license.

Check out Dustin Lynch’s ‘Killed the Cowboy’ album – which is out right now.

The post Interview: Dustin Lynch talks inspirations & ideas behind new album ‘Killed the Cowboy’ appeared first on Entertainment Focus.

Lynch’s journey in the country music scene took flight with breakout single ‘Cowboys and Angels’ in 2012. Since then, he has consistently headlined packed venues and shared stages with some of the genre’s biggest names, including Luke Bryan, Florida Georgia Line, Brad Paisley, and Kane Brown. His impact on the industry has been recognized through his prestigious membership in the Grand Ole Opry and garnered him high-profile nominations at the Academy of Country Music Awards, American Music Awards, Billboard Music Awards, iHeartRadio Music Awards, and CMT Music Awards.

‘Killed the Cowboy’ serves as a compelling follow-up to ‘Blue In The Sky,’ a record that achieved the remarkable feat of delivering the platinum-certified, six-week #1 hit, ‘Thinking ‘Bout You’ (featuring MacKenzie Porter). This track emerged as the most-played song at Country radio in 2022 and secured its place at #1 on the Mediabase charts, with an impressive #2 ranking on the Billboard Year-End Country Airplay charts. Notably, ‘Blue In The Sky’ also features the current Top 5-and-rising single ‘Stars Like Confetti,’ meaning that Lynch is now promoting a Top 5 hit from a previous album as his new body of work is released, something that is quite unique in the music industry!

Latest offering, ‘Killed the Cowboy’ rides in on a wave of big, dramatic soundscapes, setting the stage for a thrilling musical journey. The opening track, also the title track, kicks things off with a bang, delivering a powerful warning as Lynch sings, “It was supposed to be me riding away, but I’m dying in the bed she made.” The song unfolds as a slow and steady anthem, punctuated by a searing fiddle solo—a clear callback to Lynch’s classic work. It’s an impressive start that sets the bar high for the rest of the album.

‘Honky Tonk Heartbreaker’ takes a lighter approach, infusing Country Rock ‘n’ Roll vibes that are both infectious and smile-inducing. With a catchy chorus that barrels along, Lynch explores the theme of a heartbreaker with a honky-tonk heart, conjuring images of classic Blake Shelton with a touch of ’90s country. It’s a radio-ready hit with its infectious cadence. Similarly, ‘Trouble With This Truck’ continues the album’s commercial appeal with a radio-friendly vibe. The concept of a truck carrying memories of a past love is relatable, and the chorus is undeniably catchy.whilst the album plays out with ‘Long Way Home,’ the last of the trio of lighter, ’90s-inspired commercial tracks. It showcases a different side of Lynch, exuding a laid-back, sing-along style with a touch of beachy charm. This mid-tempo, melodic tune is a pleasant surprise that showcases Lynch’s versatility as it closes down ‘Killed the Cowboy’ with an almost Kenny Chesney-esque charm!

Elsewhere drama is the order of the day. ‘If I Stop Drinkin’ continues in classic Dustin Lynch style, delving into post-relationship emotions and the solace found in a drink. The song boasts a snappy, melodic chorus and signature Lynch-esque storytelling whilst ‘Blue Lights’ is a powerful, dramatic ballad that builds to a grand chorus filled with memorable lines. Lynch’s delivery keeps you engaged as he races to escape a girl’s memory. The expansive production adds to the song’s overall intensity which will be fun to see live, but he’ll need to take a deep breath before he gets to each of the action-packed choruses!

No Dustin Lynch album is complete without a little modern experimentation and nightclub-esque production vibes. ‘Only Girl in this Town’ takes a modern turn with its drumbeat and production choices. Lynch pays homage to a girl who seems to be everywhere, promising her the world on this mid-tempo, dramatic track. A well-executed guitar solo adds depth to the song too whilst ‘George Straight JR’ brings a nice blend of classic early Lynch country elements and modern R&B vibes. The chorus is reminiscent of Sam Hunt, with an upbeat and catchy cadence that leaves you feeling, like the narrator of the song, on top of the world. The mix of twangy guitar and modern production elements creates a song that’s poised for radio success should it be the one that the label choose to send out there at some point.

Speaking of radio, let’s talk ‘Chevrolet.’ A clever reworking of the chorus of Dobie Gray’s 1973 hit ‘Drift Away’ is the standout feature here. This song is all about good times, good women, and the nostalgia of dirt roads and trucks. The inclusion of zeitgeist grabbing artist Jelly Roll adds a fresh touch to this laid-back, sing-along track that makes you want to raise your glasses in the air and holler out the chorus alongside the two singers! It’s now de rigueur in the Country world of 2023 to sample or rework classic songs. Blame Cole Swindell! We wrote an article about it recently (read here if you missed it) and even Kane Brown has followed suit on his new song ‘I Can Feel It’. Lynch brings something pretty weighty to the party that might well prove to be his 10th number one once ‘Stars Like Confetti’ has got there in a few weeks.

At 38 years old Dustin Lynch was faced with some big personal questions when it came to making ‘Killed the Cowboy.’ “When I’m off the road and working on my farm, I have a lot of inner dialogue. It’s a boxing match inside of me, between living in the moment and enjoying where I am, versus what’s the best version of me five, 10, or 20 years down the road,” he explains. “What do I want to be? What do I want life to look like? Who do I want to be around? Killed The Cowboy is that back-and-forth. It’s me asking myself, ‘Am I okay? Or am I weird for not having found my person yet? And is she even out there?’ It’s interesting because alongside Chase Rice, another artist who came up through the ranks with Lynch, he has made the most mature album of his career this year. There are at least five potential hit singles on ‘Killed the Cowboy’ which is damn good going. The party boys of Country are growing up at last and whilst Lynch is not yet ready to leave the limelight and razzmatazz behind for a comfy pair of slippers just yet, he is, at least, asking himself some pertinent and soul-searching questions and using that reflection to spur on his creativity.

Tracklisting: 1. Killed the Cowboy 2. Honky Tonk Heartbreaker 3. George Strait JR 4. Chevrolet 5. If I Stop Drinkin’ 6. Only Girl in Town 7. Breaking Up Down 8. Trouble With this Truck 9. Blue Lights 10. Lonestar 11. Listen to the Radio 12. Long Way Home Record Label: BMG / Broken Bow Records Release Date: 29th September Buy ‘Killed the Cowboy’ here

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The post Dustin Lynch – ‘Killed the Cowboy’ album review appeared first on Entertainment Focus.

Lynch boldly announces the release of his sixth studio album, ‘Killed The Cowboy,’ a statement-making project that delves deep into his introspections. Set to launch on September 29, 2023, this album marks a significant milestone for the charismatic man donning his iconic Resistol hat. To celebrate the release, Lynch’s image now graces Paramount’s prominent billboards in the heart of New York City’s Times Square, thanks to a partnership with CMT. Fans can pre-save/pre-add ‘Killed The Cowboy’ on Broken Bow Records by following this link.

Lynch candidly shares his inner dialogue: “When I’m off the road and working on my farm, I have a lot of inner dialogue. It’s a boxing match inside of me, between living in the moment and enjoying where I am, versus what’s the best version of me five, 10, or 20 years down the road. What do I want to be? What do I want life to look like? Who do I want to be around? ‘Killed The Cowboy’ is that back-and-forth. It’s me asking myself, ‘Am I okay? Or am I weird for not having found my person yet? And is she even out there?’ My hope is that this album finds someone who needs to hear it. I want ‘Killed The Cowboy’ to embrace the single people of the world and lift them up, to let them know that you don’t have to live a ‘normal’ life to still be happy in your own skin.”

Lynch’s questions are not just personal ponderings but resonate with single and newly single individuals everywhere. Through the 12 tracks on ‘Killed The Cowboy,’ with five bearing his songwriting credit, listeners will discover they are not alone. The album’s highlights, including the introspective ‘If I Stop Drinkin’,’ the haunting ballad ‘Blue Lights,’ and the yearning ‘Lone Star,’ offer solace. Yet, they’ll also find camaraderie through Lynch’s anthems, such as ‘Honky Tonk Heartbreaker,’ ‘George Strait Jr.,’ and the nostalgic dirt road rocker ‘Chevrolet,’ featuring his labelmate Jelly Roll.

Released on September 8, the title track pits the lone cowboy against a formidable adversary: “A girl like you.” With Zach Crowell’s moody production creating a smoky, midnight-country sound that is as robust as it is poignant, this song, penned by Jordan Reynolds, Devin Dawson, and Anderson East, captures a romantic duel where only one can emerge victorious.

Reflecting on the title track, Lynch remarks, “When I first heard ‘Killed The Cowboy,’ I was drawn to its haunting melody, and then I got to thinking about the lyric and realized, ‘Damn, I’m this guy right now in my life.’ Relationships can come in hot and heavy and then implode. But that heartbreak, in a weird way, also makes you feel alive, to have another person move you like that. You feel that roller coaster of emotion and passion, and that sparks me creatively as an artist.”

Dustin Lynch’s ‘Killed The Cowboy’ invites listeners to embark on a journey of self-discovery, love, and life’s complexities. It’s an album that promises to resonate with anyone navigating their own crossroads, offering a musical companion for those exploring the uncharted territories of their hearts and futures.

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There are a few, but not that many, examples of where Country artists have used samples, melodies, lyrics and song titles in generating their own, original work. Last year Cole Swindell had a huge hit with a re-imaging of Jo Dee Messina’s ‘Heads Carolina’. Previously, Sam Hunt and his writing team famously used a sample of Webb Pierce’s 1953 hit ‘There Stands the Glass’ as the basis and structure for ‘Hard to Forget’ whilst Thomas Rhett’s ‘Marry Me’ is a country ballad that samples the melody from Pachelbel’s Canon in D Major, a classical composition. Other examples of artists using pre-existing ideas include Lil Was X’s ‘Old Town Road’ which incorporates a sample from the Nine Inch Nails track ’34 Ghosts IV.’ Mo Pitney’s ‘Country’ is a country song that uses a sample from Johnny Cash’s ‘Folsom Prison Blues’ and other artists like Old Dominion have used song titles to generate lines in their own work, as seen in ‘Song for Another Time’. Additionally, it was possibly Taylor Swift who first used another artist’s name with her song ‘Tim McGraw’ that kick-started a new tradition of saying homage to the greats of the past.

Even Kane Brown is getting in on the act. There’s a moment in his new song, ‘I Can Feel It’, which is released this Friday (22nd September) in which he sings “I can feel it, coming in the air tonight’, in a tribute to Phil Collins!

Three songs came out last Friday, however, that contain some or all of these elements, which is quite unusual all on one release day. Let’s look at them individually.

Dustin Lynch – ‘Chevrolet’ ft Jelly Roll

This melodic banger sees Lynch and the well-deservedly ubiquitous Jelly Roll using the exact melody of the timeless classic ‘Drift Away’ by Dobie Grey. “There is something in the air in Nashville right now, where writers are on the same wavelength and doing cool things like interpolating classic songs into something new. When ‘Chevrolet’ came across our plate, it floored me. Everyone knows Dobie Gray’s ‘Drift Away’ – the melody of that song is timeless,” shares Lynch. “Having Jelly Roll on it adds an extra edge.” Have a listen to the song below, we think it’s great and very clever.

Madeline Merlo – ‘Tim + Faith’

This melodious ode and moving tribute pays homage to the era of country music that launched superstars Tim McGraw and Faith Hill and solidified the devoted marriage between Country music’s power couple. Part Tayor Swift-esque tribute, part Old Dominion song title usage and part Dustin Lynch in that Merlo uses the melody of McGraw’s iconic ‘It’s Your Love’ as her chorus, but with slightly different lyrics.

“‘Tim + Faith’ is a song that pulls from my love of 90s Country music, and combines it with the feeling of everlasting love,” said Merlo. “I got married last year and one thing my husband and I say to each other all the time is ‘It’s always you & me.’ That line, along with getting to be a small part of Cole Swindell’s ‘Heads Carolina’ last year, inspired me to pay homage to one of my favorites, ‘It’s Your Love,’ with this song.”

Tanner Adell – ‘Luke Combs’

This delightful, acoustic tribute to Luke Combs uses some of his song titles as lines and reference points in the song. Adell has just released a deluxe version of her ‘Buckle Bunny’ mixtape and ‘Luke Combs’ is one of two new songs added in.

“The way Luke Combs writes love songs is how I want a song written about me one day,” shares Adell. “That was the inspiration behind my ‘Luke Combs’ song. I hope it connects with all the girls who maybe don’t see themselves in traditional Country love songs today, but love to dream about the love they heard on the radio growing up.”

The post Check out 3 new Country songs using the lyrics, titles or melodies of other songs appeared first on Entertainment Focus.

Mixing nostalgia and passion into a blast of upbeat Country-Rock, the Josh Thompson, Thomas Rhett, and Zach Crowell-penned track is tailor-made for his exhilarating live shows. Also produced by Crowell, the ringing guitars and classic dobro meet a pounding pulse as the heartbeat to Lynch’s bursting vocal.

Likewise, the Chris Hickey-directed music video shows Lynch in his element, surrounded by festival goers from Country Jam USA 2022. Whether connecting before the concert, thrilling a crowd onstage, or creating the soundtrack to a starry-eyed couple’s love story, the proven entertainer has never been more magnetic or more in tune with the moments that define forever-kind of memories.

“With this video, we really wanted to capture one of my favorite things about Country music and that’s getting to play at live shows, festivals, and fairs. All of these little pockets across the country are magical and make you realize that, yes – people are coming together, and people are brought together because of Country music,” shares Lynch. “Sometimes history is made, and a guy and girl meet, fall in love, raise a family, and then bring their kids back to a show. On top of that, I also think we captured just how much fun we’re having on the road with our fans, not only onstage, but in-and-around campgrounds before and after. That’s the magic of Country music – it’s one big family having a whole lot of fun!” 

The post Watch Dustin Lynch be the life & soul of the party in the new video for ‘Stars Like Confetti’ now appeared first on Entertainment Focus.

Watch as Lynch boards the Nashville Party Barge for a cruise on wheels down Music City’s Lower Broadway plus a parking lot stop at Little Chill Beach, while welcoming real-life friends Cornbread and Corbin Wilson – also spotted in his “Party Mode” clip – along for the rowdy excursion.

The post Dustin Lynch releases new song ‘Fish in the Sea’ and a hilarious video to go with it. appeared first on Entertainment Focus.

The 12-track collection features collaborators Riley Green, Chris Lane and MacKenzie Porter, the latter appears on Lynch’s six-week number one hit “Thinking ‘Bout You’.

“This has been a fun secret to keep! Get ready for a collection of songs that are going to make you feel good and want to mix a drink and party with your friends,” shares Lynch. “I’m excited for everyone to hear ‘Blue In The Sky’.”

The follow-up to ‘Tullahoma’, ‘Blue In The Sky’ is produced by Zach Crowell. Alongside “Thinking ‘Bout You” it also features ‘Tequila on a Boat’ with Chris Lane, “Huntin’ Land” with Riley Green and ‘Not Every Cowboy’.

The full track listing for ‘Blue In The Sky’ is:

1. “Party Mode” (Jerry Flowers, Ryan Beaver, Roman Alexander, Jared Keim, Matt McGinn)
2. “Thinking ‘Bout You (feat. MacKenzie Porter)” (Dustin Lynch, Andy Albert, Hunter Phelps, Will Weatherly)
3. “Stars Like Confetti” (Josh Thompson, Thomas Rhett, Zach Crowell)
4. “Somethin’ That Makes You Smile” (Erik Dylan, Andy Sheridan, Wyatt McCubbin)
5. “Break It On A Beach” (Dustin Lynch, Ashley Gorley, Hunter Phelps, Zach Crowell)
6. “Tequila On A Boat (feat. Chris Lane)” (Hillary Lindsey, Justin Ebach, Matt Alderman)
7. “Tennessee Trouble” (Dustin Lynch, Matt Dragstrem, Hunter Phelps, Jordan Minton)
8. “Summer Never Ended” (Cole Taylor, Ben Hayslip, Paul DiGiovanni)
9. “Back Road TN” (Ben Hayslip, Brock Berryhill, Jameson Rodgers, Brent Anderson)
10. “Huntin’ Land (feat. Riley Green)” (Dustin Lynch, Andy Albert, Hunter Phelps, Will Weatherly)
11. “Pasadena” (Dustin Lynch, Jeff Hyde, Ryan Tyndell)
12. “Not Every Cowboy” (Casey Brown, Parker Welling, Conner Smith, Heather Morgan)

The post Dustin Lynch to release new album ‘Blue In The Sky’ in February appeared first on Entertainment Focus.

The Zach Crowell-produced releases are timeless Country songs that showcase a more traditional leaning for Lynch.

“‘Not Every Cowboy’ and ‘Pasadena’ are just about that timeless, authentic, American cowboy love story. I’m very proud of how these songs captured that emotion in such a classic way,” shares Lynch. “They felt special the day we created them and I’m so excited that they’re now out where everyone can enjoy.”

‘Not Every Cowboy’ is penned by Casey Brown, Parker Welling, Conner Smith, and Heather Morgan while ‘Pasadena’ is written by Lynch with Jeff Hyde and Ryan Tyndell.

With just his guitar and spot-on imagery bursting as his backdrop, Lynch has also launched a music video for each track. You can watch them both below:

The post Listen: Dustin Lynch drops two new tracks – ‘Not Every Cowboy’ and ‘Pasadena’ appeared first on Entertainment Focus.

The song is produced by Zach Crowell and written by Hillary Lindsey, Justin Ebach, and Matt Alderman. The accompanying music video was directed by Mason Dixon and it captures a wild boat party on the lake.

“‘Tequila On A Boat’ is a song that points to the absolute perfect day during the summertime,” shares Lynch. “I love being on the water. There’s just something that’s grounding to me, and I’ve made so many memories over the years with great friends, being on a boat, and just doing life together. Pumped one of those buddies, Chris Lane, could join me for this song and bring even more of a party to it.”

‘Tequila on a Boat’ follows Lynch’s current single “Thinking ‘Bout You” featuring MacKenzie Porter. That song has amassed more than 68 million streams to date.

From 3rd to 6th June, Lynch will bring ‘Dustin Lynch Pool Situation: Vegas’ to the Las Vegas strip. He will host curated parties and a headliner show, alongside performances featuring guest artists Jordan Davis, HARDY, and DJ sets from Brandi Cyrus.

The post Dustin Lynch and Chris Lane team up for ‘Tequila on a Boat’ appeared first on Entertainment Focus.

The new version teams Lynch with rising star Porter, giving a new life to the track.

“This is one of my favorite songs from ‘Tullahoma’, and I’m so excited we get to shine a light on it in a new way with MacKenzie. We chose her voice for this version when my team and I reached out to our country music community for submissions from newer artists. Not wanting to be swayed by any other factors, we got a folder of numbered submissions and listened blindly,” shares Lynch. “It all pointed to MacKenzie. I fell in love with her tone – it was effortless and honest. Her voice is something that can’t be taught, it’s clear she was born with that tone. She was brilliant at bringing her uniqueness to this song, but also keeping it familiar for fans of the original.”

The music video finds the singers assuming the roles of a former couple reminiscing over the phone. The moody clip is all-too-relatable as snapshots of a long-gone relationship flash into view.

Directed by Justin Nolan Key, the intimate conversation by-way-of the Lynch, Andy Albert, Hunter Phelps, and Will Weatherly-penned lyrics, ring straight to the heart of a broken connection.  

The post Dustin Lynch releases new version of “Thinking ‘Bout You” featuring MacKenzie Porter appeared first on Entertainment Focus.

The video was filmed in Lafayette, TN and directed by Mason Dixon. Momma’s House is a tale of heartbreak and the video sees Dustin performing surrounded by fire as buildings around him burn to the ground. Watch the video below:

As the video and the song progresses, Dustin changes his mind and decides to have a whiskey while sitting on a barstool rather than burn the town down.

“All the love stories that were successful in my life happened in high school in that small town kind of setting,” Lynch told Entertainment Weekly. “And that’s who you married and that’s who you had a family with, so Momma’s House really takes me back to those times. I’ve been that guy before where I’ve just wanted to rip everything apart, but you know what I realized…is that lyrics to songs mean a whole lot more once you’ve been broken up with… All the sudden that John Mayer record means a little something different you know back in the day. That’s kinda what I clung onto. But pretty much every song that would come on the radio, it kinda felt different. You know I look at it differently because my world was crushed.”

Momma’s House is taken from Dustin’s latest album Tullahoma, which was released earlier this year.

The post Watch: Dustin Lynch burns a town down in Momma’s House video appeared first on Entertainment Focus.

With big releases from Little Big Town, Dustin Lynch, Marcus King and Chase Rice already landing, and debates continuing about the lack of women played on Country radio in the US, it’s been a very hectic start to the year. On the latest episode of the EF Country Podcast, Pip and Laura review the month, discuss the big releases and more.

To listen to the latest episode, pick your preferred platform below…

Apple Music

Listen to Episode 18 now

Podomatic

Spotify

The post EF Country Podcast Episode 18: January 2020 in review appeared first on Entertainment Focus.